Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

Adam Carolla and Dennis Prager examine the reality of life and discourse on college campuses in modern America.

Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, Teo’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology. 　　The fictional realm of Singapore’s government housing, mediates the entangled relationship between artificial intelligence and the Taoist Book of Changes, or I Ching. Here, the hexagram divination symbols of the I Ching engage in a dialogue with the architectural elements found in the building. The film toggles through fiction and archival documentation, interweaving timelines, narratives, and spaces.

This documentary recreates a genuine sense of the personal presense of the late modern architect, Paul Rudolph, and the ambience of his studio. Mr. Rudolph was widely recognized within the architectural profession as spontaneously brilliant, and the unchallanged master of space and the manipulation of form. The episode during the construction of the chapel at Emory University gives insight into the kinds of frustrations artists often suffer at the hands of short-sighted patrons. A fine film, based upon the reality it conveys, if for no other reason.

A moving portrait of a creative sanctuary lost to gentrification. Centered on the now-vanished warehouse at 411 New York Avenue NE, the film revisits the final year of Union Arts DC—a vibrant hub that from 2012 to 2016 was home to visual artists, musicians, performers, and dreamers. Through archival footage, intimate interviews, and the voices of artists who worked and performed there, the documentary captures the spirit of a space where art thrived and community flourished—until developers arrived with plans for a boutique hotel. As tenants rallied to save their space, Making Spaces: The Legend of Union Arts becomes a powerful elegy for what was lost and a rallying cry for what’s still at stake in the future of DC’s cultural landscape.

当他的阴茎被鳄鱼咬掉时，塔兹求助于旺戈部落的魔法力量。

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.

Vanya and his stepsister Sonia have lived their entire lives in their family's farmhouse. While they stayed home to take care of their ailing parents, their sister Masha has been gallivanting around the world as a successful actress and movie star, leaving Vanya and Sonia to feel trapped and regretful. Their soothsayer/cleaning woman Cassandra keeps warning them about terrible things in the future, which include a sudden visit from Masha and her twenty-something boy toy Spike.